You Won’t Believe What Nollywood movie director Charles Novia Said About Maheeda

Nollywood movie producer, Charles Novia will always have a say on every matter and this time, it’s about the
controversial Maheeda, who has been topic of discussion on social media
because she was always posting erotic photos of herself online.
He has voiced out his thoughts on the self acclaimed gospel singer’s weird behavior.
He wrote this article titled: “Maheeda’s maladjustment”.
Read article below:
In the past few months, some prominent and other
bandwagon bloggers have been inundating the social media space with
inappropriate pictures of a confused personality called Maheeda. From
scanty information available about the lady, she used to be a prostitute
who got ‘converted’ into Christianity and later released a Gospel album
or some singles. Somehow, she decided to straddle the pop culture horse
and brought out some nifty singles and videos which found backwater
acceptance on Youtube.
Maheeda is also reported to be married to a white dude and she is
presumed to be presently living in a European country with the man and
her daughter (or divorced or seperated from him as some reports say) I
took little pains to do this background research on her so as to be
well-informed about the next few points I would make about her
behaviour.
Somehow, Maheeda started posting suggestive pictures of her body on
her instagram page which caught the interest of Nigerian bloggers. Since
blogging is generally an acceptable form of lazy journalism and
tittle-tattling in Nigeria, Maheeda’s pictures got the desired attention
she wanted. Either by a covert or overt payment to leading bloggers to
keep her in the news (as it is wont in Nigerian cyberspace) or a
calculated ploy to garner more hits to their sites, the bloggers went
all the way out with more indulging pictures of the young lady. And she
was ever willing to give more and cheerfully too with no intention by me
to denigrate her past profession by this phrase.
From suggestive pictures of her near unclad body parts, the young
lady went on a visual spree of debased pictures of herself and with the
lecherous or amused oogling of social media commentators, she finally
threw whatever was left of her indiscreet womanhood and posted wanton
naked pictures of herself on instagram. Blogosphere went crazy in
Nigeria with repressed hypocrites heaping accolades or abuses at her or
ravished reprobates asking her to carry on!
Instagram finally had enough a few days ago and deleted her account for good for crossing boundaries of (in)decency, perhaps.
It is instructive to psycho-analyse negative trenders such as Maheeda
who have decided to gain cheap or compulsory notoriety by posting
pictures of their nakedness on social networks. Granted, there were
others before her based in Nigeria or somewhere in America , some older
Nanny Goats who threw decorum to the wind as well and posted pictures of
drooping breasts and disgusting backsides in a bid to gain unfathomable
attention. Did Maheeda learn from them? Or did she decide to improve on
their art ( or rather, their tart!)?.
Whatever the reasons are, we all should be worried about this growing
trend where shamelessness and wanton exposure of Nigerian women is fast
becoming the order of the day. The children see all these things and I
shudder to think of what is going to happen in our social space in a few
years. A replication or cloning of millions of Maheedas and her likes
is probably inevitable. Oh yes, there are some who would react angrily
to the fears I have expressed here and post comments under ‘Anonymous’
name tags on some blogs where this article would find amplification and
vilify me and not my points. For such missing links, you are entitled to
your putrid opinions in the closets of your anonimity where cowards and
bullies find voice. But the fact remains that you who support and urge
the Maheedas of this clime to carry on with the de-mystification of all
that is dear and sacrosanct womanhood, are no better than she is. You
are intertwined in the pugnancy of her putrid purpose. You both are
destroyers of the last remnants of the African woman’s mystique and
majesty. You support and encourage her to destroy your children’s moral
future. That is just the plain truth.
I may not know much about psychology or psychosis but I am
willing to bet that Mrs Maheeda is in the early stages of bi-polarism.
It is possible that she is using the pictures to Jekyll and Hyde her
mental health issues. Mercifully, she lives in a Western
society where it is only a matter of time where her total sanity would
be called to question.
But if Maheeda is not ill, then what is her plan? Is she possessed by
a legion of seventy times seven demons after her earlier conversion to
Christianity? Or is she just being plain silly? If she is being silly,
then the blogs and websites which amplified her silly whims have a moral
question to answer.
But Maheeda is not the only by-product of a jaundiced country. We
have her likes in the National affairs of this country. Only, those
types don’t have to post their pictures for us to see. They are already
naked dancers in the ruinous chambers of national leadership. They and
the mad ones before them inflicted the pain on the social fibre of
Nigeria which Maheeda was unfortunate to grow up in. Their naked dances
of greed and corruption turned Maheeda and millions like her into
Prostitutes to eke a daily living. Maheeda could well be paying back the
society with her nakedness, spoiling the children of the new Nigeria as
a vengeance eats her. She just might be saying, ‘ as una spoil my life,
me sef go spoil una pikin own’. And stupidly the children of her
vengeful mission oogle and applaud.
It is not also far-fetched too that Maheeda might be using the naked
pictures of herself as a new form of visual prostitution. Selling her
body , now revamped and refurbished in a new clime, to her former
clients as if to call them out. She might be saying, ‘You can’t have
this now. I have gone to another level’.
Indeed, she has reached a new level. An all-time low of self-destruction in a gradual process. But
knowing the society in which I live and where she comes from, her
destruction may be pyrhic: the sick social society would soon invite her
to red carpet functions and events. Soon, she just might be signing
autographs and strutting societal streets of false adulation.
Then she would have have the last laugh. Or perhaps maybe society and fate have one last wince to elicit from her.
Time has a wa
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